THE SKIN WEARING TIME
2010
Kneaded, molded, fired clay
H300 W300 D100
Work exhibited at the “KAWARA EXHIBITION” in Midtown Tokyo, the theme of this exhibition was to represent a time axis that has continued tradition. I represented two types of skin that are formed over time by nature. Using rocks found on the riverbed of Tamagawa, Iwahada (stone-like skin) is crafted from pounding rocks on clay before firing, converting the natural process and portraying stones that have spent a rough and keen journey. Mizuhada (water-like skin) represents texture that is smooth, soft, gentle like polished in water. Two textures found in nature were combined to coexist in one piece of artwork, then fired in Yasato tile kiln.
The Womb of the City
commission work
Dialogue with the figurative ＃04
painting sculpture
Dialogue with the figurative ＃03
painting sculpture
Dialogue with the figurative ＃02
painting sculpture
Dialogue with the figurative ＃01
painting sculpture
HELVETICA
video
Fossils from the future ＃08 “Louis vuitton”
sculpture
Fossils from the future ＃07 “HERMES”
sculpture
Fossils from the future ＃06 “Lay’s”
sculpture
Fossils from the future ＃05 “Leica M10”
sculpture
Fossils from the future ＃04 “Supreme”
sculpture
Fossils from the future ＃03 “StarBucks Coffee ”
sculpture
Fossils from the future ＃02 “Chanel No°5 ”
sculpture
Fossils from the future ＃01 “Nike AIR JORDAN 1”
sculpture
Crystallization of worthless time
painting sculpture
“Sheet Music for Blank Space” #01 STEVE REICH / COUNTERPOINT
video installation
UNIT FOR Y-AXIS
painting
Nameless Portrait
installation
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